I'm So Relaxed, Even My Vocal Chords Feel Nice. This Makes Me Want To Sing...

While I was able to get some pics of Allybelle Cosplay as Azura at Anime Austin we wanted to be able to get more pics where we could plan things out and not be crowded. Thankfully Tacocat knew of some places that were barely being used so we took advantage of it.

Since it was Azura we knew we wanted to get some shots of her in water. Taco's Treasures knew of some places where we could try this out including a couple of ponds. But then came a larger concern with using the ponds: we didn't know how deep they were... and we weren't sure if they would mess up Allybelle's costume. Thankfully there was a pool with a bit of a beach design we could use. Plus it wasn't very deep which would be important for a shot I wanted to try.

The material in most of the costume would survive chlorinated water pretty well save for possibly the paint on her leg bracelets (which were going to be remade at a later date anyway). So we were able to have more freedom with how we shot in the pool.

The idea of Azura standing on the surface of the water came from an idea I had seen years ago from a Sport Illustrated Swimsuit Issue video. They wanted a photo of the model sitting on the surface of the water. So they basically built something not unlike an ironing table made out of thick and very clear lexan. But since we obviously did not have Sports Illustrated's budget I wanted to see if there was some way we could pull off the same trick.

I had a small height adjustable folding table that had a white surface that I thought could work. If the top of the table was far enough below the surface to be obscured then it could work. The first issue we ran into that the only place we could certainly secure all four legs of the table was pretty far out into the pool to where it was almost four feet. Thankfully I had bed frame risers with me (I use them to help raise my camera tripod to gt above the heads of people when I used to film concerts). So with those and a bit of finagling we got Allybelle in place.

Then the second issue was that if the water was still enough I could still see the surface of the table a bit. So I had Taco's Treasures back off to the edge of the pool and start splashing the water so we would get an active and uneven surface. That way the light refraction of the water and the sun would hide the table. 

The sky kinda messed with us during this. Would be a bit overcast, then sunny, then the sun would dart in and out for seconds at a time. Made it a bit difficult to figure out how to set the speedlites or even on how to use a reflector. So in the end I did rely a little bit more on RAW processing in post. But in spite of that we did get some really good pics.

Knowing Is Half The Battle

This one was a lot of work and a lot of fun. It had been a while since I worked with Fil Tso (he was the main guy behind a short Halo/Star Wars fan film that I did camera ops on). He hit me up about doing a photoshoot and when he explained that the concept was G.I.Joe and Cobra cosplayers aboard a submarine and a destroyer that both served during World War II I was totally in.

The bulk of the shots were done on the USS Stewart. There was a bit more room to get interesting angles and fight scenes. Though during the day I had to make a point to stay on my feet as much as possible as trying to kneel on the deck of the ship would quickly have me going "ow ow ow" due to the heat. We even waited until nightfall to get more of the inside shots since otherwise it would basically be like an oven in most of the ship.

Originally I had planned on using my Yongnuo speedlights for the inside shots... but save for a couple of pics we really didn't need them. The lighting that was already inside the ship along with the high ISO performance of the X-T2 made things a bit easier to deal with. Especially given that a destroyer isn't really designed to stick speedlighs places unless you got super creative.

Unfortunately we didn't get any shots inside of the USS Cavalla. The space was even tighter than the USS Stewart. At the time I only had the 18-55mm f/2.8 lens so framing was rather difficult. If I had something like a 10mm available I might have been able to pull off something. But there was one other issue we ran into... quite a few of the Cobras even had trouble getting through the ship (any heavy armor guys like Pit Viper were right out) just due to being really tall and whatnot. The group shots on top of the Cavalla came out really well though.

Thanks to the members of the Fightin' 788th who could make it out to this and for putting up with me being a photographer. And special thanks to the staff of the American Undersea Warfare Center for hosting us and allowing us to be a bunch of nerds and running around the place. If you're down in Galveston I recommend checking it out: http://www.americanunderseawarfarecenter.com/